Art and the Academy in the Nineteenth CenturyRafael Cardoso Denis, Colin Trodd Manchester University Press, 2000 - 207 Seiten Throughout the nineteenth century, academies functioned as the main venues for the teaching, promotion, and display of art. Contemporary scholars have, for the most part, denigrated academic art, calling it formulaic, unoriginal, and repetitious. The contributors to Art and the Academy in the Nineteenth Century challenge this entrenched notion and consider how academies worldwide have represented an important system of artistic preservation and transmission. Their essays eschew easy binaries that have reigned in academia for more than half a century and that simply oppose the avant-garde to academicism. |
Inhalt
Fear and loathing of the academic or just what is it that makes | 15 |
the aesthete as academic | 33 |
the case of Brazils | 53 |
women history painters in early | 71 |
the struggle for academic | 86 |
From graphic to academic | 102 |
official discourse and the nineteenthcentury | 117 |
the academic copy and the Académie de France | 133 |
the Masterclass and the Düsseldorf | 150 |
debating | 164 |
the Royal Academy and the commerce | 179 |
195 | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
academic art academic culture Academicians academicism Academy's aesthetic argued art criticism Art History Art Union associated avant-garde beauty Beaux-Arts bourgeois Brazil Brazilian British century Charles Eastlake claims classical colour contemporary copy David discourse Düsseldorf early Eastlake École des Beaux-Arts Edinburgh emic engraving essay figure Fildes Frederic Leighton French G. F. Watts Gallery genre Greenberg Herkomer high art history painting Hogarth Ibid identity Imperial Institution Institution's Jacques-Louis David judgement Leslie Lord Leighton Luke Fildes master Masterclass Mme Mongez modern Modernist nature nineteenth nineteenth-century nude oil on canvas organised painters Paris patronage Paul Baudry pictorial picture Pirithoüs political portraits practice Pre-Raphaelite Prettejohn Prix de Rome production professional RA's Regnault religious painting Renaissance representation Reynolds role Rome Royal Academy Salon Scottish Academy social style Summer Exhibition taste theory tion tradition Trodd values Victorian art visual women artists workhouse
Verweise auf dieses Buch
History's Beauties: Women in the National Portrait Gallery, 1856-1900 Lara Perry Eingeschränkte Leseprobe - 2006 |
Alfred Gilbert's Aestheticism: Gilbert Amongst Whistler, Wilde, Leighton ... Jason Edwards,Alfred Gilbert Eingeschränkte Leseprobe - 2006 |