Art and the Academy in the Nineteenth Century

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Rafael Cardoso Denis, Colin Trodd
Manchester University Press, 2000 - 207 Seiten
Throughout the nineteenth century, academies functioned as the main venues for the teaching, promotion, and display of art. Contemporary scholars have, for the most part, denigrated academic art, calling it formulaic, unoriginal, and repetitious. The contributors to Art and the Academy in the Nineteenth Century challenge this entrenched notion and consider how academies worldwide have represented an important system of artistic preservation and transmission. Their essays eschew easy binaries that have reigned in academia for more than half a century and that simply oppose the avant-garde to academicism.
 

Inhalt

Fear and loathing of the academic or just what is it that makes
15
the aesthete as academic
33
the case of Brazils
53
women history painters in early
71
the struggle for academic
86
From graphic to academic
102
official discourse and the nineteenthcentury
117
the academic copy and the Académie de France
133
the Masterclass and the Düsseldorf
150
debating
164
the Royal Academy and the commerce
179
Select bibliography
195
Urheberrecht

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